Wednesday, September 05, 2007
Antigone's Condemnation
thier after me lucky charms
On another note, I enojoyed on the previews page (1436) when Creon calls Antigone "deaf to reason" because (in this story) that seems exactly how he acts.
Tuesday, September 04, 2007
Same story??
Head Strong to Head Case
Now we jump to Antigone. In this story Creon appears to be Oedipus 2.0. He goes against the Gods by not allowing Polyneices to be buried or have any type of ceremony for his death. By doing this he is having no respect for the dead. He also refuses to listen to his son Haimon or any of the elders on the issue of Antigone's death sentence. He seems very power hungry, arrogant, and proud, all three characteristics he never showed before taking the throne. Some of the citizens of the state are upset with his actions as ruler because he is at times unjust and disrespectful. Creon has gone from a once level headed, well liked, caring man of royalty to a high tempered, questioned, heartless ruler. This is a change that must have been influenced by the pressure he feels from the responsibility as king. Perhaps he knew this would happen, and this is why he never wanted the throne in the first place.
To much pride
Faith of the gods
Creon and Antigone: Excessiveness
Creon had a noble purpose in his actions because he wanted to protect the city and prevent mutiny for the future by using Polyneices as an example. He held to his intent too much and refused to listen to reason. As his son, Haimon, said, “It is not reason never to yield to reason!” (pg. 1441, line 79) Creon used reason to know that traitors must be punished to prevent further incidents, but he refused to acknowledge that his reason was flawed. He spent pages 1439-1440 ranting about how sons should yield to the reason of their fathers and rulers to justify himself. He could not admit that he was wrong and refused to listen to anything other than his own words. His flaw caused him to lose all that was dear to him and presents his situation as a tragic character because his flaw of hubris caused him to lose everything. The complexity lies in that his hubris that made him a tragic character caused the downfall and tragedy of another character, Antigone, resulting in a situation with two tragic heros/heroines. Creon, however, was humbled by his downfall, while Antigone remained steadfast in herself and wallowed in self-pity until death. Therefore, I believe that both Antigone and Creon are tragic characters because their respective flaws of the self-righteousness, which Nick discussed, caused their downfalls. Between the two, Creon was a truer tragedy because he was humbled by the gods to prove the point that several blogs have discussed, which is that the gods control fate and always win.
Creon:: Oh the Perils of Power!
Creon: An Overreaction?
The Last Speech of Antigone
Thebes, you see me now, the last
Unhappy daughter of a line of kings,
Your kings, led away to death. You will remember
What things I suffer, and at what men's hands,
Because I would not transgress the laws of heaven
(To the guards, simply.) Come: Let us wait no longer
With such a separation of human and god in Antigone, I find it interesting that each character seems to have a stance on how they approach the world they live in regarding law and how to follow it. Creon believes in human law, mostly because he can make it himself and control the people of Thebes through his rule (he is against money because he has no control over the free will people have with it). Antigone believes more in god law, claiming that Zeus would have preferred the burial and that Hades could potentially save her from being buried alive. Ismene stands in the middle, seeing both sides while feeling insecure/unsure how to handle the situation to come out with her best interests. In her last speech, Antigone yearns for the Gods to prove to Creon that he is wrong in his ruling/decisions, and that they should approve of Antigone's action. These characters place so much emphasis on who is "right", that they lost sight and three end up dead by suicide. Maybe being right isn't always as important as it seems.
More on the Chorus
As far as the thing about Antigone being the tragic hero, I always thought that was Creon. He is the one left to suffer at the end of the story while the other characters were else relieved of their suffering. It is his hubris that leads to the death of Antigone, Haimon, and Eurydice. I don’t think Antigone had a fault that led to the downfall in this play. She buried her brother, but she was doing that to bring honor to her brother and save Thebes from a plague, not to be arrogant as others have suggested. By not letting Ismene be killed, Antigone was trying to save her innocent sister, not be pitiful. That’s what I think, anyway.
Monday, September 03, 2007
Pawns of the gods
Anyways, onto my only point I want to make about these two plays. I feel that, in a nutshell, both 'Oedipus' and 'Antigone' can be summed up in the final lines of 'Antigone' made by Choragos, "There is no happiness where there is no wisdom; no wisdom but in submission to the gods." Basically, obey the gods, you can't change fate. Has anyone ever seen 'Jason and the Argonauts'? Well, anways, it's about Greek mythology and junk. It's awesome. But the one scene I love in it involves how the gods are toying with Jason and his men as they try to find the Golden Fleece for some reason...I haven't seen it in awhile. Regardless, my interest is in one scene only. In it, the gods are playing some sort of game with a map of the world and pieces that are represntative of people.
Here is the scene:
This is pretty much the basis of these plays. We are all pawns of the gods in this cosmic game called fate. Who are we, mere mortals, to stand before the might and power of the gods? According to these plays, we can't. Oedipus was fated by the gods to slay his father and sleep with his mother. Nothing could change that. Teiresias reveals to Creon that he should ahve burried the body of Polyneices. Disobeying led to his downfall. Basically, I feel that these plays stand to show the Greek ideals of obeying the gods and of always listening to reason (which just so happens to be what the gods say). So in the end, there is 'no wisdom but in submission to the gods.'
Personality Shift?
Overkill with Eurydice & More
Creon, what happened?
Now we move on to Antigone. Creon has become the bad guy. Apparently he went against the gods in saying that Polyneices should not be buried. If Greeks should learn anything from these plays, it is that the gods always win. He is quick to anger, first threatening the life of the sentry, and then condemning Antigone. He even went so far as to proclaim a death sentence on Ismene. He was strong-headed and refused to consult others. Haimon tried to talk some sense into him, but he would not have it. Creon has become the "Oedipus", and Haimon is our new "Creon". Creon has all of the hubris of Oedipus, and is quick to anger, rash, and strong-headed just as his predecessor. What has happened to our Creon? Could it be that the responsibilities of the kingship ruins a person? Too much power in the hands of someone that is not fit for the job? Regardless, Creon's mistakes were costly. He lost many loved ones, and had no one to blame but himself. Granted, I don't understand why so much innocent blood had to be shed, but let the gods do their thing. All that I can think about is how drastically Creon has changed.
The Chorus
Antigone: self-righteous and pitiable
Tuesday, August 21, 2007
Tuesday, August 14, 2007
Saturday, June 23, 2007
Friday, June 22, 2007
Monday, February 26, 2007
Daisy
JT's thoughts on the Great Gatsby
The Successful Failure, "Not just an Apollo mission"
this is kayla's blog... because she forgot her password too
-kayla
The American Dream
Andy's Gatsby Blog
Women - can't live with 'em.. that's all..
JENNY'S BLOG (since she couldn't remember her password)
Nick!
Now this may be a stretch but I think that Tom used Nick as a way to make himself feel less guilty about cheating on Daisy. Tom trusted Nick and so he brought him to the apartment he shared with Myrtle. I think that Tom thought by exposing his relationship with Myrtle to someone other than a neutral party that it might rationalize it in some way and make it seem less appalling. Nick was sort of used by everyone in this way. To everyone, Nick was like the ice breaker. When Daisy, Tom, and Jay were all together Nick was what kept the peace and kept everything formal. None of the three imagined that Nick had a confidence with all three of them. This is why Nick is such a good narrator for this novel. He sees and finds out about everything because everyone trusts him.
Eventually, Nick gets fed up with living in the east. He knows he isn’t suited for the way of life there. He is honest and respectable. He doesn’t play any angles. Nick’s relationship with Jordan helps convince him that he doesn’t belong there. Nick likes her free spirit and her vivacity but he shocked by her dishonesty. She is not considerate of other people and this completely contrasts Nick because Nick has been caring for other people the entire novel. I am glad that Nick ended up moving back to the Midwest. Nick seemed to be the only character who understood the purpose of life. He realized that selling bonds in the East was not his dream. It was other men’s dreams and he knew that he needed to start over and actually do something that he wanted to do. I think that he was too good for the East and he was definitely my favorite character in the novel!
Impact of Fake Images on Commitment Between Characters
The American People
(Now, this my interpretation of the “The Great Gatsby. I may be wrong, it may be right. I think it is right. I’m just thrown out ideas about the character. That is all.)
"What a Grotesque Thing a Rose is"
I found the second full paragraph on page 169 to be very interesting. I really like the analogy of a rose to a single dream. A rose is a pretty flower to look at, but if you hold on to it too tightly you’re obviously going to get pricked by the thorns. I thought that the sunlight upon the grass was like to reality, so Gatsby was realizing that his dream was no longer possible. Similarly, dreams are good to have; they give you a goal and motivate you to get through difficult situations. But if you get so absorbed in a single “either/or” dream that you are completely unaware of reality, you have a problem. You’ll start to make rash decisions that you can’t undo, and when you finally understand that your dream is impossible, you’ll be greatly let down. Gatsby did just this. His only desire was to win back Daisy’s affection, which was a dream that had only two possible outcomes: either he’d succeed and get her, or fail and lose her; there was no middle ground. He lost, and only then did he realize “What a grotesque thing a rose is.” That’s why I feel that dreams are necessary, but to a certain extent need to be practical. In my opinion, you have to set goals that you can pursue knowing that in the end you can say to yourself, “Hey, I may not have gotten to exactly where I wanted to be, but I’m better off now than I was when I started.” I feel that if you cling to an “either/or” dream, you will only be setting yourself up for failure and disappointment.