Monday, September 03, 2007
Pawns of the gods
Anyways, onto my only point I want to make about these two plays. I feel that, in a nutshell, both 'Oedipus' and 'Antigone' can be summed up in the final lines of 'Antigone' made by Choragos, "There is no happiness where there is no wisdom; no wisdom but in submission to the gods." Basically, obey the gods, you can't change fate. Has anyone ever seen 'Jason and the Argonauts'? Well, anways, it's about Greek mythology and junk. It's awesome. But the one scene I love in it involves how the gods are toying with Jason and his men as they try to find the Golden Fleece for some reason...I haven't seen it in awhile. Regardless, my interest is in one scene only. In it, the gods are playing some sort of game with a map of the world and pieces that are represntative of people.
Here is the scene:
This is pretty much the basis of these plays. We are all pawns of the gods in this cosmic game called fate. Who are we, mere mortals, to stand before the might and power of the gods? According to these plays, we can't. Oedipus was fated by the gods to slay his father and sleep with his mother. Nothing could change that. Teiresias reveals to Creon that he should ahve burried the body of Polyneices. Disobeying led to his downfall. Basically, I feel that these plays stand to show the Greek ideals of obeying the gods and of always listening to reason (which just so happens to be what the gods say). So in the end, there is 'no wisdom but in submission to the gods.'
Personality Shift?
Overkill with Eurydice & More
Creon, what happened?
Now we move on to Antigone. Creon has become the bad guy. Apparently he went against the gods in saying that Polyneices should not be buried. If Greeks should learn anything from these plays, it is that the gods always win. He is quick to anger, first threatening the life of the sentry, and then condemning Antigone. He even went so far as to proclaim a death sentence on Ismene. He was strong-headed and refused to consult others. Haimon tried to talk some sense into him, but he would not have it. Creon has become the "Oedipus", and Haimon is our new "Creon". Creon has all of the hubris of Oedipus, and is quick to anger, rash, and strong-headed just as his predecessor. What has happened to our Creon? Could it be that the responsibilities of the kingship ruins a person? Too much power in the hands of someone that is not fit for the job? Regardless, Creon's mistakes were costly. He lost many loved ones, and had no one to blame but himself. Granted, I don't understand why so much innocent blood had to be shed, but let the gods do their thing. All that I can think about is how drastically Creon has changed.
The Chorus
Antigone: self-righteous and pitiable
Tuesday, August 21, 2007
Tuesday, August 14, 2007
Saturday, June 23, 2007
Friday, June 22, 2007
Monday, February 26, 2007
Daisy
JT's thoughts on the Great Gatsby
The Successful Failure, "Not just an Apollo mission"
this is kayla's blog... because she forgot her password too
-kayla
The American Dream
Andy's Gatsby Blog
Women - can't live with 'em.. that's all..
JENNY'S BLOG (since she couldn't remember her password)
Nick!
Now this may be a stretch but I think that Tom used Nick as a way to make himself feel less guilty about cheating on Daisy. Tom trusted Nick and so he brought him to the apartment he shared with Myrtle. I think that Tom thought by exposing his relationship with Myrtle to someone other than a neutral party that it might rationalize it in some way and make it seem less appalling. Nick was sort of used by everyone in this way. To everyone, Nick was like the ice breaker. When Daisy, Tom, and Jay were all together Nick was what kept the peace and kept everything formal. None of the three imagined that Nick had a confidence with all three of them. This is why Nick is such a good narrator for this novel. He sees and finds out about everything because everyone trusts him.
Eventually, Nick gets fed up with living in the east. He knows he isn’t suited for the way of life there. He is honest and respectable. He doesn’t play any angles. Nick’s relationship with Jordan helps convince him that he doesn’t belong there. Nick likes her free spirit and her vivacity but he shocked by her dishonesty. She is not considerate of other people and this completely contrasts Nick because Nick has been caring for other people the entire novel. I am glad that Nick ended up moving back to the Midwest. Nick seemed to be the only character who understood the purpose of life. He realized that selling bonds in the East was not his dream. It was other men’s dreams and he knew that he needed to start over and actually do something that he wanted to do. I think that he was too good for the East and he was definitely my favorite character in the novel!
Impact of Fake Images on Commitment Between Characters
The American People
(Now, this my interpretation of the “The Great Gatsby. I may be wrong, it may be right. I think it is right. I’m just thrown out ideas about the character. That is all.)
"What a Grotesque Thing a Rose is"
I found the second full paragraph on page 169 to be very interesting. I really like the analogy of a rose to a single dream. A rose is a pretty flower to look at, but if you hold on to it too tightly you’re obviously going to get pricked by the thorns. I thought that the sunlight upon the grass was like to reality, so Gatsby was realizing that his dream was no longer possible. Similarly, dreams are good to have; they give you a goal and motivate you to get through difficult situations. But if you get so absorbed in a single “either/or” dream that you are completely unaware of reality, you have a problem. You’ll start to make rash decisions that you can’t undo, and when you finally understand that your dream is impossible, you’ll be greatly let down. Gatsby did just this. His only desire was to win back Daisy’s affection, which was a dream that had only two possible outcomes: either he’d succeed and get her, or fail and lose her; there was no middle ground. He lost, and only then did he realize “What a grotesque thing a rose is.” That’s why I feel that dreams are necessary, but to a certain extent need to be practical. In my opinion, you have to set goals that you can pursue knowing that in the end you can say to yourself, “Hey, I may not have gotten to exactly where I wanted to be, but I’m better off now than I was when I started.” I feel that if you cling to an “either/or” dream, you will only be setting yourself up for failure and disappointment.
An unread book might as well be made of cardboard, Diana.
"Did I tell you about the books? They're real."
The Great American Hero
The Eyes of Eckleberg
Sunday, February 25, 2007
As a walk through the Valley of Ashes...
The Green Light
One Short Day in The Emerald City
Tuesday, October 17, 2006
Austin's Reaction to Chapters 19-21
Dimmesdale
Dimmesdale said that he was afraid of anyone noticing the resemblence between himself and Pearl. I'm not sure if he was really ashamed of the part of himself that he saw in her or if he just wanted to protect himself, his daughter, and the church congregation. He certainly remembers Pearl's tenderness at the house of the governor.
Pearl senses that Dimmesdale has not fully accepted her. She knows that he will not hold her hand in public which is something that she has wanted more than anything. When he kisses her she washes it off in the stream and does not accept him. She knows that her father is a hypocrite. Hypocrite seems like a very strong word. If you think about it everyone is a hypocrite in some way whether you care to admit it or not. Dimmesdale does not have much courage and he has concealed his secret for so long that it is almost impossible for him to admit it. He believes that his only means of escape is to run away with Hester and Pearl where he can never be found.
It was hard for me to make this blog entry because I think that I criticized Dimmesdale pretty harshly. For some reason I have some great connection with him. Maybe it is just compassion. I'm really not sure. He is definately my favorite character in the book.
Andy's Scarlet Letter Reaction
JT's thoughts on Chapters 19-21
A Pearly Scene - By: Matthew Huffman
Hester who?
Also without the letter on Pearl did not even recognize her mother, as it said before in the book, it seemed like the first thing Pearl would see was the scarlet letter. However I do not think it was a fault at recognizing her, but accepting rather. She does not want to accept her mother without the scarlet letter on because she knows the truth and knows that even by throwing the letter aside now there is hidden guilt instead of a public display of guilt which the letter provided. Pearl in a way is trying to save Hester from what has become of the minister, his heart aches because of the guilt that he cannot let out, Pearl helps insure that Hester’s guilt remains open to everyone to see.
Tom's Thoughts on Chapter 20
But of course under the hilarity there is some sort of meaning or point to be made. That point being that now Mr. Dimmesdale had a plan to get away from this place and start anew, without having to reveal his secret. Sure, the exodus to Europe would offer some kind of relief, but it is not the same as revealing his secret. However, his unprecedented change in behavior is possibly tied to this fact that he now plans to escape without letting anyone know about his sins. This perhaps makes him subconsciously seek out trouble and do wicked things so that attention may be drawn to him and possibly force him into revealing his dark sin. Or maybe he's just a big, old meany.
Pearl -- Emily Huffman
Pearl’s natural instincts insights have led some readers to view Pearl as a child who is mature for her age. I don’t think that many people take into account that she is still a very young child. I believe that Pearl’s mischievous personality is due to the fact that she is immature, not that she is evil. Pearl confirms that she is only a young child when she becomes jealous of Mr. Dimmesdale in chapter 19. She thinks that he is taking her place in Hester’s heart and refuses to show any love toward him. She also proves her immaturity when she is unable to address Hester without the scarlet letter. Just like many children, Pearl has a hard time dealing with change, especially in regards to a loved one. I believe that Pearl, rather than being evil, displays characteristics of a normal child.
The Thoughts of Michelle
The Escape..dun dun dunnn...by kayla
In Chapter twenty we see Dimmesdale as a new man. It focuses on Dimmesdale's new outlook. Now that Dimmesdale has decided Europe is the best choice he has been healthier and had a better outlook. But when Dimmesdale arrives back in the town he has incredible desires to do wrong. I think this is Dimmesdale's conscience telling him things won't become better if you run from the problem, you have to face it. This is one of the main themes in this story.
In Chapter twentyone Hester and Pearl are watching the Election Sermon. Pearl asks Hester if Dimmesdale will be joining them like he did on the scaffold that night. Pearl also describes him as the sad man with his hand always over his heart. This shows us that children can notice the small things adults tend to look over as nothing. Pearl knew something was bothering Dimmesdale while the entire community noticed nothing. In this chapter Hester also finds out Chillingworth will be boarding the ship to Europe also. This rises question in Hester. I think Chillingworth's plan is to follow Dimmesdale so he can not escape the torture.
I don't want it
Hawk's Muses on CH 19-21
This was quite an interesting section of the book. Hester putting her “A” emblem and cap back on was highly symbolic. It was much more than a way to get
The New Man
When Dimmesdale re-entered the town, he entered with a totally new concepts and beliefs. He wanted people to know that he was a sinner and a blasphemer and that he wasn’t the man they all thought he was. Everyone wanted him to be glorifying and he just wasn’t. Hester and he were going to leave for the New World, but before they do he got to give his sermon. This was useful to him because the holiday was dedicated to those who have stepped between the individuals in love. Dimmesdale’s sermon that he had written before he ventured into the forest had little impact on what he wanted to say when he returned. He threw everything away, which I deemed to be his past, and started over, with a clean sheet!
Stupid Dimmesdale and His Stupid Ironies
A Brief Glimpse into Adam's thoughts on Chapters 19-21
Pearl's Fit
Pearl as a Part of Nature
Alright, I’m going to have to contradict a little of what Alex said here. I do think that Pearl is very natural, but she doesn’t want to become part of the Puritan society. As we have established in class, Pearl seems to be one with nature; this is something that the Romantics greatly valued and tried to stress in their writing. Pearl can’t want to be a part of both the Puritan society and nature at the same time. I believe that Hawthorne wanted us to view Pearl as a good force in this book since she is childlike and is a part of nature; since she is part of nature, she can’t be one with society which the Romantics viewed as a bad institution that people should try to escape from.
Although Pearl is one with nature and the letter is a symbol of society and the punishment it has inflicted upon Hester, Pearl wanted her mother to put the letter back on because Pearl’s main mission in the novel seems to be to constantly remind her mother of the sin she has committed. Thus, Pearl snatches up this opportunity to once again remind her mother of the adulterous act she has committed by forcing Hester to put on the letter and pull up her hair. Pearl avoids Dimmesdale for the same reason; she is reminding him of the sin he committed but is also angry with him because will not go and confess his true self to the town. That is why Pearl runs away from him and tries to scrub off the kiss that he gave her. Pearl seems to be playing a reverse role in the novel; she is a child but she seems to know what actions can save her parents while Hester and Dimmesdale remain clueless and intent on running away to escape from their sin.
Pearl as the Romantic Hero of the Book
I think that
Pearl's Dilemma
Pearl’s dilemma whether to cross the brook results from a fear of lonely isolation. From the moment she was born, Pearl, along with her mother, have been looked down upon in the Puritan community. With Hester by her side, Pearl was able to grow accustomed to this empty gap between her family and that of society. The moment Hester removes her scarlet letter, a symbol of this isolation, she becomes, once again, part of the Puritan community. The brook acts as the wall between the free natural world and this strictly conformed Puritan society. Pearl, knowing nothing but the nature she was born into, is scared to cross this barrier without her mother’s guidance. She understands that she, like the letter, will always represent a negative separation. As a result, Pearl fears she will never become truly human and gain a rightful and accepted place in Puritan society. Pearl eventually does cross the brook, but only because her mother returns the scarlet letter to its original place on her bosom. Once again, Pearl feels a unity with her mother, and therefore, she comes willingly across the water. Pearl sees Dimmesdale as an integral member of the Puritan community. By rejecting his kiss, she is rejecting society and attempting to keep her mother by her side.
Not Fully Human
Looking for control and a unified family, Pearl asks her mother if Dimmsdale will go back into town with them. In the forest were she has played amongst creatures before, Pearl begins to resemble a creature herself. In past discussions we have went over Pearl's animalistic traits.
Why does this matter? Because it is the center of the abstract symbolism that surrounds Pearl as a whole! We see Pearl in Hawthorne's eyes: an innocent girl born as a symbol of sin who, unlike most Puritan children, refuses to conform. In my opinion, Pearl does not conform because she realizes that she will never be good enough in the eyes of Puritan society. Although a pearl is shiny and perfect, Pearl is broken due to the absence of her father. Although I believe that she has known all along whom Dimmsdale is, she cannot become completely human until Dimmsdale admits that she is in fact his daughter. Because the acknowledgement has not yet been made, Pearl will continue to stay broken. She refuses Dimmesdale's kiss because he continues to abandon her and she refuses to feel love to someone who cannot show it back.
Wednesday, October 11, 2006
Mary Wiechart's Vocabulary
pillory
ignominy
contrivance
flagrant
phantasmagoric
magistrates
inquisitorial
intangible
betokened
abhorrence
Blanchard's vocab
sepulchre- n.- a tomb, grave, or burial place.
ignominy- n.- 1. personal disgrace; dishonor. 2. shameful or dishonorable quality or conduct.
Tuesday, October 10, 2006
Monday, October 09, 2006
Tom Brodbeck's Vocab List
1. gimme - noun - in golf, the final short putt that a player is not required to take in informal play.
2. contumely - noun - insulting display of contempt in words or actions; contemptuous or humiliating treatment.
3. physiognomies - noun - the art of judging human character from facial features.
4. heterodox - adjective - not in accordance with established or accepted doctrines or opinions, especially in theology; unorthodox.
5. farthingale - noun - a hoop skirt or framework for expanding a woman's skirt, worn in the 16th and 17th centuries.
6. evanescent - adjective - vanishing; facing away; fleeting.
7. ignominy - noun - disgrace; dishonor; public contempt.
8. infinitesmal - adjective - indefinitely or exceeding small; minute.
9. jingoism - noun - the spirit, policy, or practice of jingoes; bellicose chauvinism.
10. Bohemian - noun - a person, as an artist or writer, who lives and acts free of regard for conventional rules and practices.
Yeah, I totally couldn't figure out that whole hyperlinking thing for this one...I'll make another attempt for the next post, however.
vocab zack shindledecker
2.) purport- http://dictionary.reference.com/browse/purport
3.) enervating- http://dictionary.reference.com/browse/enervating
4.) arduous- http://dictionary.reference.com/browse/arduous
5.) ignominy- http://dictionary.reference.com/browse/ignominy
6.) sagaciously- http://dictionary.reference.com/browse/sagaciously
7.) imbecility- http://dictionary.reference.com/browse/imbecility
8.) halberd- http://dictionary.reference.com/search?r=2&q=halberd
9.) emaciated- http://dictionary.reference.com/browse/emaciated
10.) erudition- http://dictionary.reference.com/browse/erudition
JT's Vocab
2. Heterodox
3. Sumptuary
4. Remonstrance
5. Sagacity
6. Temulous
7. Ignominy
8. Mutability
9. Anathemas
10. Phantasmagoric
Austin's Vocab
2)Imperceptible - adj. 1. very slight, gradual, or subtle 2. not perceptible; not perceived by or affecting the senses. –n. 3. something not capable of being perceived by the senses.
3) Sumptuary - adj. 1. regulating or controlling expenditure or personal behavior. 2. intended to regulate personal habits on moral or religious grounds.
4) Betokened - v. To be or give a sign or portent of; indicate.
5) Disarray - v. 1. to throw into confusion; disorder. -n. 2. disorder; confusion.
6) Edifice - n. 1. a building, esp. one of large size or imposing appearance. 2. any large, complex system or organization.
7)Physiognomy - n. the outward appearance of anything, as in a character.
8)Imbued - v. To inspire or influence thoroughly; pervade.
9)Contingent - adj. 1. dependent for existence, occurrence, character, etc., on something not yet certain; conditional 2. liable to happen or not; uncertain; possible 3. happening by chance or without known cause.
10)Didactic - adj. 1. intended for instruction; instructive. 2. teaching or intending to teach a moral lesson.
vocab vocab vocab! by kayla
Farthingale- a hoop skirt or framework for expanding a woman's skirt, worn in the 16th and 17th centuries.
Pang- a sudden feeling of mental or emotional distress or longing: a pang of remorse; a pang of desire.
Beadle- a parish officer having various subordinate duties, as keeping order during services, waiting on the rector, etc.
Sumptuary- pertaining to, dealing with, or regulating expense or expenditure.
Evanescent- vanishing; fading away; fleeting.
Ignominy- disgrace; dishonor; public contempt.
Rheumatism- any disorder of the extremities or back, characterized by pain and stiffness.
Pillory- a wooden framework erected on a post, with holes for securing the head and hands, formerly used to expose an offender to public derision.
Contumely- insulting display of contempt in words or actions; contemptuous or humiliating treatment.
Well there's my ten vocab words. Soak em up.
Nick Parker's Vocabulary Report
10. Pillory
09. Anathemas
08. Phosphenes
07. Soteriol
06. Simulacra
05. Plangent
04. Antediluvian
03. Pastiche
02. Gestalt
01. Ignominy
Diana Wieser Vocabulary
2. perilous
3. alchemy
4. cabalistic
5. sagacious
6. eldtirch
7. inauspicious
8. physiognomies
9. fibre
10. ignominy
Impart http://dictionary.reference.com/browse/impart
Defying http://dictionary.reference.com/browse/defying
Vexing http://dictionary.reference.com/browse/vexing
Cynical http://dictionary.reference.com/browse/cynical
Altercation http://dictionary.reference.com/browse/altercation
Paisley http://dictionary.reference.com/browse/paisley
http://www.interiormall.com/images/cat/fabric/Magnolia/Anna-Harvest.jpg
Scoured http://dictionary.reference.com/browse/scoured
Conviviality http://dictionary.reference.com/browse/conviviality
Sloushed http://dictionary.reference.com/browse/sloshed
Sunday, October 08, 2006
Emily Huffman Vocab
Acclaimed- 1. to praise enthusiastically and often publicly; applaud.
Spoor- 1. a track or trail, esp. that of a wild animal pursued as game.
Abomination- 1. anything greatly disliked or abhorred 2. intense aversion or loathing; detestation
Phenomenal- 1. highly extraordinary or prodigious; exceptional.
Reprisal- 1. retaliation against an enemy, for injuries received, by the infliction of equal or greater injuries.
Transaction- 1. to carry on or conduct (business, negotiations, activities, etc.) to a conclusion or settlement.
Vivify- 1. to give life to; animate; quicken
Wile- 1. a trick, artifice, or stratagem meant to fool, trap, or entice; device.
Wry- 1. deviating from that which is proper or right.
Monday, August 14, 2006
Andy 7
What to do
MR. V